前沿拓展：

vivid cake

我喜歡vivid cake的芝香倍醇 芝士含量超高 而且口感相當棒
另外愛上抹茶也不錯
不過只是個人感覺
如果是第一次吃的話 建議買那個隨心組合的cube系列 一次可以吃十種口味 都嘗一遍再決定自己喜歡哪個

瓷胎畫琺瑯是清代皇室自用瓷器中最具特色，釉上彩瓷中最為精美的彩瓷器。從康熙的色濃莊重至雍正的清淡素雅，到乾隆時的精密繁復的雍容華貴，使琺瑯，這一洋味十足的彩料在瓷器上得到淋漓盡致的發(fā)揮。集中西風韻于一身，畫盡了皇家身份的高貴與榮華。乾隆琺瑯彩瓷是清代康，雍，乾三代琺瑯彩瓷中最為精美的巔峰之作，具有古典美的乾隆仕女游園罐是其代表。

琺瑯彩繪采用的畫琺的制作技法起源于15世紀中葉歐洲比利時、法國、荷蘭三國交界的佛朗德斯地區(qū)。15世紀末，法國中西部的里摩居，以其制作內(nèi)填琺瑯工藝為基礎，發(fā)展成畫琺瑯的重鎮(zhèn)，初期制作以宗教為主題的器物，后來逐漸制做成裝飾性的工藝品。隨著東西貿(mào)易交往的頻繁，尤其自清康熙二十三年（1684年）清廷平定**以后，禁海開放，西洋制品開始涌入，西洋琺瑯便由廣州等港口傳入**，并就地設廠研制，稱之為洋瓷，宮中則稱其為廣琺瑯。當時，廣州的產(chǎn)品多保留著西方文化的韻味，由于燒造技術不高，釉料呈色不穩(wěn)定。康熙五十八年（1719年），聘請法蘭西畫琺瑯藝人**信來京，在內(nèi)廷琺瑯處指導燒造畫琺瑯器。其式樣、圖案主要是**風格，少有西方畫琺瑯的特點。

藏品介紹

中文名稱：牡丹富貴葫蘆瓶

英文名稱：Peony and noble calabash bottle

類別：琺瑯彩瓷器

規(guī)格：一件

品相：美品

葫蘆瓶：形似葫蘆的瓶式，自唐以來，因其諧音"福祿"，為民間所喜愛，遂成為傳統(tǒng)器形，及至明代嘉靖時，因皇帝喜愛之道，此器尤為盛行并多有變化。

這件琺瑯彩葫蘆瓶給人富貴大器之感，牡丹寓意富貴，葫蘆又寓意福祿，寓意吉祥，白色玻璃底，就像是撥了蛋殼的蛋一樣，給人溫潤之感，賞心悅目，紅黃牡丹花為主題，富貴吉祥，綠葉為襯，整體春意盛濃，繪制幾只小蝴蝶，聞香而來，整體畫工高超，只有宮廷御匠能有此功力，把自然之美表現(xiàn)的栩栩如生，牡丹最美的瞬間定格在其表面，葫蘆也是道教的器型，有驅(qū)邪避惡之能，葫蘆也是少兒喜愛之物，動畫片葫蘆娃，深受少兒喜愛，葫蘆更是不少文玩好者手中的盤玩之物，這樣一件老少皆宜，寓意吉祥的瓷器，深受市場歡迎，目前處于上升渠道，如此畫工沒，品相完好的瓷器十分難得，建議收藏傳世。

瓷母：清乾隆各種釉彩大瓶是清朝乾隆年間燒制的一種高度約為86厘米的各種釉彩大瓶，整器運用了色地琺瑯彩、松石地粉彩、仿哥釉、金釉、青花、松石釉、窯變釉、斗彩、冬青釉暗刻、祭蘭描金、開光繪粉彩、仿官釉、綠釉、珊瑚紅釉、仿汝釉、紫金釉等十幾種施釉方法，集高低溫釉、彩于一身，其燒造工藝繁復至極。 如此復雜的工藝只有在全面掌握各種釉、彩性能的情況下才能順利完成。

從燒造工藝上看，青花與仿官釉、仿汝釉、仿哥釉、窯變釉、粉青釉、祭藍釉等均屬于高溫釉、彩，需先高溫焙燒。而洋彩、金彩及松石綠釉等均屬于低溫釉彩，應后入低溫炭爐焙燒。這件各種釉彩大瓶集10多種高低溫釉、彩于一身，而且各種釉、彩均發(fā)色純正，如此復雜的工藝只有在全面掌握各種釉、彩化學性能的情況下才能順利完成。

藏品介紹

中文名稱：瓷母

英文名稱：Porcelain mother

類別：瓷器

規(guī)格：一對

品相：美品

清乾隆各種釉彩大瓶是古代官窯瓷器中裝飾層次最多、釉彩用料最考究、設計復雜、制作難度極高的瓷器，包括琺瑯彩、洋彩、仿宋代哥釉、松石綠釉、仿宋代鈞窯窯變釉、斗彩、粉青釉、霽藍釉、仿宋代官釉、粉彩、珊瑚紅釉、仿宋代汝釉、醬釉等燒制難度較高的釉彩，制作中不考慮批量生產(chǎn)，創(chuàng)作重心在外形上，為少數(shù)權貴服務，推崇對傳統(tǒng)的繼承和發(fā)展。素有“瓷母”之美稱，集中體現(xiàn)了當時高超的制瓷技藝，傳世僅此一件，彌足珍貴。

清乾隆各種釉彩大瓶的社會意義大于審美意義。其色彩繁冗復雜、題材偏多，導致缺乏內(nèi)涵，并且在藝術上缺乏較高的美學境界，沒有把藝術性和技術性相結(jié)合。但其社會意義巨大，在工藝技術綜合應用上時代特征明顯，展現(xiàn)了當時頂尖的制作工藝和海納百川的文化自信，提高了**制造在世界上的知名度，在**文化的發(fā)展中起到了非常重要的作用，為**瓷器文化和世界瓷器文化的繁榮與發(fā)展作出了巨大貢獻。

清乾隆各種釉彩大瓶的眾多裝飾中，最引人注目的是口部和腹部的各種色地“洋彩錦上添花”裝飾。清乾隆各種釉彩大瓶的六福寫實畫和六福錦地的主題反映了人們對生活的美好向往。寫實畫構(gòu)圖飽滿，人物形象細致；錦地紋飾民族特色鮮明，自然主義傾向較強。其他部位的紋飾如胭脂紫地纏枝寶相花紋、乾隆風格的青花、貼塑、仿明代永宣風格的青花、金彩回紋、金彩卷草紋等，裝飾動機源于自然。其制作水平遠超前代，體現(xiàn)了**古代的科學技術成果和對美的追求。

馬未都評價：“將各色釉、各類彩集于一身，為乾隆朝獨創(chuàng)。做出這么‘矯情’的事情，一定是豐衣足食之后。官窯瓷器燒造，在清康熙朝恢復，雍正朝發(fā)揚光大，至乾隆朝達到頂峰。頂峰一定要有旗幟飄揚，‘瓷母’就是這面飄揚的旗幟。

瓷母可以說是把瓷器做到了巔峰，不同的釉色，要用不同的窯溫，反復進行繪畫，燒制，極其復雜，一道工序出問題，就會前功盡棄，由于宮廷用器必須絕對嚴格，少有差池可能就人頭不保，這也就造就了這一極其復雜的瓷器，其歷史研究價值以及經(jīng)濟收藏價值極高。

斗彩又稱逗彩，**傳統(tǒng)制瓷工藝的珍品。創(chuàng)燒于明朝宣德年間，明成化時期的斗彩最受推崇，是釉下彩（青花）與釉上彩相結(jié)合的一種裝飾品種。

斗彩是預先在高溫（1300°C）下燒成的釉下青花瓷器上，用礦物顏料進行二次施彩，填補青花圖案留下的空白和涂染青花輪廓線內(nèi)的空間，然后再次入小窯經(jīng)過低溫（800°C）烘烤而成。斗彩以其絢麗多彩的色調(diào)，沉穩(wěn)老辣的色彩，形成了一種符合明人審美情趣的裝飾風格。

明朝

據(jù)歷史文獻記載，斗彩始于明宣德，但實物罕見。成化時期的斗彩最受推崇，明清文獻中也稱之為成“窯彩”或 "青花間裝五色"。傳世成化斗彩瓷器圖案繪畫簡練，內(nèi)容主要是花鳥、人物。它的做法是先用青花在白色瓷胎上勾勒出所繪圖案的輪廓線，罩釉高溫燒成后，再在釉上按圖案的不同部位，根據(jù)所需填入不同的彩色，一般是3至5種，最后入彩爐低溫燒成。按照專家陳萬里先生的意見，成化斗彩又可以分為點彩、覆彩、染彩、填彩等幾種。成化斗彩除個別的大碗外，多數(shù)造型小巧別致，有盅式杯、雞缸杯、小把杯等。還有一種繪有海馬或團花的蓋罐，底有一青花“天”字，俗稱天字罐。

藏品介紹

中文名稱：魚紋斗彩罐

英文名稱：Fish pattern bucket color pot

類別：瓷器

規(guī)格：一件

品相：美品

這件斗[dòu]彩瓷器底足氧化發(fā)黃，是由于瓷土中含有微量的鐵元素，歷經(jīng)了長時間氧化所致，是新仿做舊瓷器所無法表現(xiàn)出來的特征，為什么斗字后面我特意寫上拼音呢，由于很多業(yè)余愛好者不是很專業(yè)把斗[dòu]彩都成了斗[dǒu] 彩，特標注拼音來糾正，斗彩的意思是釉下彩與釉上彩相互斗艷，所以才叫的斗彩，釉下彩常采用青花來作畫，釉上彩是各種顏色的低溫釉燒制而成，釉下釉上結(jié)合的是否自然，恰到好處，是斗彩最核心的藝術。

可以看見這件斗彩結(jié)合的非常精妙，整體畫工極其精美，非一般工匠敢為之，一般的斗彩都是做的花卉紋，很少有畫魚紋的，而且花卉是葉無側(cè)葉，結(jié)合起來中規(guī)中矩，而畫到動物，想結(jié)合的很生動形象是極其困難的，提到斗彩大家第一想到的肯定是劉益謙斥資2.8億買下的斗彩雞缸杯了，自從這個天價成交的**刷爆藏友圈后，古玩市場出現(xiàn)了大量的現(xiàn)代工藝仿制的斗彩雞缸杯，只要玩瓷器的都會花點小錢買著玩玩，弄得雞缸杯到處都是，而畫魚的斗彩卻極其稀少，魚紋下面是荷葉，荷葉產(chǎn)蓮子，所以市連年有余的意思，可以說這件瓷器的畫工是可以與真品雞缸杯去一較高下的，這件瓷器無磕，無殘，無穿線，是一件難得的館藏級藏品。

英文翻譯：Enamel for painting on porcelain is the most distinctive among the self-use porcelains of the qing dynasty and the most exquisite among the colored porcelains on glaze. From kangxi's deep and solemn color to yong zheng's light but elegant, to qianlong's delicate and complicated elegant, so that enamel, the full color of the foreign taste in the porcelain to get the most incisive play. Concentrated western charm in a suit, painting the royal status of the nobility and glory. Qianlong enamel color porcelain is the most exquisite peak of three generations of enamel color porcelain in the qing dynasty, kang, yong and gan.

The painting technique of enamel painting originated from the Flanders region at the border of Belgium, France and the Netherlands in the middle of the 15th century. At the end of the 15th century, the limoire in the middle west of France developed into an important town of painting enamel based on its enamel-filling process. At the beginning, religious objects were made, and then decorative arts and crafts were gradually made. With the frequent trade exchanges between the east and the west, especially after the qing government pacified ** in the 23rd year of the reign of emperor kangxi (1684), the sea was closed to the outside world and western products began to pour in. Western enamel was introduced to China from ports such as guangzhou and was developed by local factories, which were called "foreign porcelain" and "Canton enamel" in the palace. At that time, the products in guangzhou mostly retained the charm of western culture, because the firing technology is not high, the glaze color is not stable. In the 58th year of the reign of emperor kangxi (1719), Chen zhongxin, a French artist of painting and enamel, was hired to come to Beijing to direct the production of painting and enamel in the enamel department of the inner court. Its style, design is mainly Chinese style, few western painting enamel features.

The collection is introduced

Chinese name: peony wealth calabash bottle

English name: Peony and noble calabash bottle

Category: enamel porcelain

Specification: one piece

Appearance: beautiful

Calabash bottle: bottle shaped like calabash, since the tang dynasty, because of its homonym "fu lu", for the folk love, then become a traditional shape, until the jiajing period of the Ming dynasty, because of the emperor's favorite way, this device is particularly popular and there are many changes.

This colored enamel bottle gourd, give a person the sense with a silver spoon in her mouth amplifier, peony implication rich, gourd and implication in ferro, meaning auspicious, white glass, like a dial the eggshell egg, give a person the feeling of warm, pleasant, red yellow peony as the theme, wealth and good fortune, leaves for the lining, the awaken of spring thick, draw a few **all butterfly, wen xiang, the overall picture, only the royal court artisan can have this capability, the beauty of the natural performance of lifelike, peony is the most beautiful moment frames on the surface, the gourd is Taoi**, the evil evil can, bottle gourd is children's favorite thing in the world, cartoon gourd dolls, popular children's favorite, Calabash is also a dish in the hands of many literary players. Such an auspicious porcelain, suitable for all ages, is very popular in the market. At present, it is on the rise.

Porcelain mother: qing qianlong all kinds of glaze and large bottle is one of the qing dynasty qianlong firing altitude of about 86 cm of all kinds of glazed large bottle, the whole machine USES color to brother and a hoard of enamel, imitation enamel glaze, gold, blue and white, a hoard of glaze, variable glaze, bucket color, Holly dark moment, the blue colour, medallion painted enamel, imitation officer glaze, green glaze, coral red glaze, copy your glaze, zijin glaze, such as more than ten kinds of glazing method, set high and low temperature glaze, the color, the fire craft heavy and complicated. Such a complex process can only be successfully completed under the condition of comprehensive mastery of various glaze and color properties.

From the firing process, blue and white and imitation official glaze, imitation ru glaze, imitation ge glaze, kiln changed glaze, powder blue glaze, sacrificial blue glaze and so on all belong to high-temperature glaze, color, need to be roasted at high temperature first. And the color, gold color and turquoise green glaze belong to the low temperature glaze color, should be into the low temperature carbon furnace roasting. This various glazes color bottle sets more than 10 kinds of high and low temperature glazes, color in a body, and a variety of glazes, color are pure, such a complex process can only be successfully completed in a comprehensive grasp of the various glazes, color chemical properties.

The collection is introduced

Chinese name: porcelain mother

English name: Porcelain mother

Category: porcelain

Specification: one piece

Appearance: beautiful

Qing qianlong various glazed large bottle is the most ancient imperial porcelain decoration level, glaze materials the most elegant, complex design and production of high difficulty of porcelain, including enamel color, the color, the elder brother of the imitation of the song dynasty glaze, turquoise glaze, the imitation of the song dynasty variable glaze masterpieces, bucket color, powder blue glaze, ji blue glaze, glaze, enamel, imitation of the song dynasty officer coral red glaze, imitation of the song dynasty ru glaze, such as sauce glaze glaze firing difficulty is higher, production not to consider mass production, the center in shape, for a handful of powerful services, promoting the traditional inheritance and development. Known as the "mother of porcelain", embodies the superb porcelain technology, handed down only one piece, is precious.

The social significance of the large vase with various glazes is greater than the aesthetic significance. Its colors are complicated and the subject matter is too much, resulting in the lack of connotation, and the lack of a higher aesthetic realm in art, without the combination of artistry and technology. But its huge social significance, era characteristics on the integrated application of technology, shows the top craft**anship and all rivers run into sea of cultural self-confidence, raise public awareness of the made in China in the world, in the development of Chinese culture has played a very important role, for the Chinese porcelain porcelain culture and the world culture has made a great contribution to the prosperity and development.

Qing qianlong various glaze color big bottle of numerous decorations, the most eye-catching is the mouth and abdomen of a variety of colors "foreign color icing on the cake" decoration. The theme of liupu realistic painting and liupu jindi painting in large bottles with various glazes of qianlong in qing dynasty reflects people's yearning for a better life. Realistic painting composition is full, the figure image is meticulous; The brocade ground ornamentation national characteristic is distinct, the naturali** tendency is stronger. Other parts of the decorative patterns, such as rouge, purple ground wrapped branches treasure phase pattern, qianlong style of blue and white, plastic paste, imitation of the Ming dynasty style of eternal xuan blue and white, gold color back, gold roll grass, decorative motivation from nature. Its production level is far ahead of the generation, reflecting the ancient Chinese scientific and technological achievements and the pursuit of beauty.

Ma weidu evaluation: "will be the color glaze, all kinds of color set in a suit, qianlong dynasty original creation. Do such a 'melodramatic' thing, must be after the abundance of food and clothing. Porcelain firing in the imperial kilns was resumed in the kangxi dynasty of the qing dynasty and carried forward in the yongzheng dynasty until it reached its peak in the qianlong dynasty. The peak must have the flag fluttering, 'porcelain mother' is this fluttering flag.

Porcelain mother is arguably the porcelain peak can be achieved, but different glaze color, want to use different kiln temperature, repeated painting, fire, extremely complex, a process problem, will be disqualified, due to the court with a device must be strict, few mistakes may be the man's head, it has created the extremely complex of China, its historical research value and economic high value for collection.

Doucai also known as funny color, China's traditional porcelain treasures. It was created and burned during the reign of xuande in the Ming dynasty. It was the most highly praised color contest in the chenghua period. It was a decorative variety combining underglaze color (blue and white) with overglaze color.

The color is pre-fired at high temperature (1300°C) on the blue and white porcelain under the glaze. Mineral pigments are used for the secondary color application to fill the blank left by the blue and white pattern and the space within the painted blue and white contour line. Then it is baked in a **all kiln at a low temperature (800°C). Bucket color with its colorful colors, composed old and hot color, formed a Ming aesthetic taste in line with the decorative style.

The Ming dynasty

According to historical records, the fight began in Ming xuande, but the real thing is rare. In the chenghua period, the fighting color was the most highly praised. It was also called "kiln color" or "the five colors of blue and white" in the literature of the Ming and qing dynasties. Handed down from generation to generation, chenghua bucket color porcelain pattern painting concise, the content is mainly flowers and birds, figures. Its practice is to use blue and white to draw the outline of the pattern on the white porcelain first, cover the glaze after high temperature firing, and then in the glaze according to the different parts of the design, according to the need to fill in different colors, generally 3 to 5, finally into the color furnace low temperature firing. According to the expert Mr. Chen wanli's opinion, chenhua bucket color can be divided into point color, cover color, dye color, fill color and so on. Chenghua bucket color in addition to the individual bowl, most of the **all and chic modeling, there are cup cup, chicken bowl cup, **all cup. There is also a painting of seahorse or tuanhua cover pot, the bottom of a blue and white "day" word, commonly known as the word pot.

The collection is introduced

Chinese name: fish pattern bucket color pot

English name: Fish pattern bucket color pot

Category: porcelain

Specification: one piece

Appearance: beautiful

This dou dou foot oxide yellow color porcelain bottom, is due to the China clay containing trace amounts of iron, after a long time caused by oxidation, is can't do old new copy porcelain's characteristics, why fight behind the words I specially write pinyin, because many ** is not very professional to dou dou] color has become a/d ǒ u color, special label to correct tone, bucket color mean under the glaze color and glaze colors doo-yan, so is the bucket color, under the glaze color blue and white paint, is often used to glaze color is on the low temperature of all sorts of color glaze, glaze under glaze on whether combination of natural, proper, It is the core art of color fighting.

Can see this bucket color combination is very fine, the overall picture extremely elegant, not ordinary craft**an dared, general bucket color is do flowers, there are few fish, and flowers is leaves no lateral lobes, average combination, and render to animals, want to combine the very vivid is extremely difficult, must be mentioned color bucket you first think of liu spend 280 million to buy color bucket cylinder cup chicken, since the day price clinch a deal the news maxed **an friend circle, antique market emerged a large number of modern technology of generic color bucket cylinder cup chicken, play as long as China will spend some money to buy for fun, make chicken cylinder cup is everywhere, However, the painting of fish is extremely rare, below the fish pattern is lotus leaf, lotus leaves produce lotus seeds, so the city for years, it can be said that the painting of this porcelain is able to compete with the real article chicken cup, this porcelain is not broken, no damage, no thread, is a rare collectibles.

拓展知識：